02 | 21 | 11
If you’re on the lookout for a cheap, and extremely valuable online guitar course, the guys over at Jamorama have one of the best classes out there that I’ve had the chance to try out. If you’re like most newbies, you’re probably trying to learn everything about the guitar, on your own. The problem is that a lot of the information out there can be boring, confusing, and outdated. Even if you wanted to take the initiative to pay for classes, it can run you a pretty penny, at an average of $60 an hour, and a total of $240 a month, for only a mere 4 hours of instruction, total. Private tutors also don’t give you the flexibility of time, and you’re often left to negotiate according to their schedule. By taking an online course like Jamorama’s, you can learn to play the guitar whenever, and wherever you want.
After poking around online, trying to find an affordable and complete program, I stumbled on Jamorama. It was easy to get caught up in it, with the eye catching, layout, big pictures, and enticing promises of being an impressive guitarist. Looking deeper, I read their promise of being able to play my first song after a 6 day, introductory course. Besides the very simplistic language, which easily made it very relatable, the lessons came off as very positive! It’s encouraging to be told that I don’t have to sit there for hours, trying to pluck away my life in an attempt to swallow the elephant that is learning guitar, in one sitting. The free lessons emphasize, over and over, the importance of taking breaks, in consideration of the fact that people simply don’t have superhuman attention spans to sit there for more than 20 minutes. It was interesting to find out that small chunking the information, with even a brief break, as small as 10 minutes, could be enough to reset your brain, and get it primed to take a bite of the next chunk of the elephant that is guitar mastery!
A more in-depth breakdown of the free, introductory course will come in a later post, though just know that what I got to try was truly more than my money’s worth. I’d gladly pay the reduced price of the actual beginner’s course, at $39.99, for all that free info. As a hungry amateur, paying only a little over half the cost of a usual, private session, which is often at $60 for an hour’s worth of instruction, it was definitely a bargain. Its worth is even greater, knowing that I could easily breeze through the entirety of the free course in less than an hour, and by that time, have learned some solid fundamentals, as well as having the first song I can put under my belt. If Jamorama’s free sample is any indication of what the paid courses are like, I am more than sure that being able to buy an entire program for less than half the cost of a months worth of private instruction, which can run you a pretty $240, at only an hour of teaching, per week, is more than a bargain. To call it such, would be a gargantuan understatement!
02 | 08 | 11
Guitarists, just like athletes, must make sure to get properly warmed up before diving into playing. Playing the guitar hardly seems like running a marathon or jumping over hurdles, though lack of proper preparation can greatly diminish if not outright hinder your performance. By taking a moment to do a few very simple stretches, you can help to limber up your arms and hands, and improve the quality of your sessions.
Remember that when stretching, you need to do so, gradually. Make sure to do the stretch until you reach a tolerable level of discomfort. Over time, you will be able to go beyond this limit, for now, go slow. Hold each of these stretches for 10-15 seconds. Stay relaxed, and maintain a rhythmic, steady breathing pattern.
Most of these stretches can be done in either a seated or standing position. I recommend doing these seated.
Cross-Shoulder Stretch
- Begin with your left arm, and pull it across your chest
- Place your right hand behind your left bicep
- With your right arm, pull your left arm, feeling the stretch behind your left bicep and deltoid
- After 10-15 seconds, switch and do the same for your right arm
Overhead Arm Pull
- Start off with your left arm for this, again
- Lift your arm up and over your head, pointing your fingertips straight down your spine
- Place your right hand on your left elbow, and pull your elbow straight down your spine
- To intensify the stretch, bend to the right and feel the stretch in your left, rear tricep, lats, and obliques
- After stretching the left, do the same on the right
Upper/Lower Forearm Stretch
- Place your left arm, palm down on your lap
- With your palm facing forward, pull back with your right hand by placing your fingers across the fingers on your left hand, with the right thumb behind the joints of the fingers on the left hand
- This will keep the fingers on your left hand as straight as possible, and help to really increase the intensity of the stretch
- If done right, you will quickly feel a strong, intense stretch from your wrist, and down your forearm
- When the stretch is done, switch and stretch your right hand
- After your lower-right forearm is finished, come back to the left arm and flip it over so that the palm is facing up
- This time, pull on your hand so that the palm is facing towards you, holding it with your right hand on the back of your palm, below the fingers, otherwise you’ll just be pushing your fingers down
- The stretch is going to be a lot more dull and subtle compared to the lower-forearm stretch, so really get the stretch going
- Do the same stretch for your right forearm
Web Stretch
- Spread the fingers on your left hand out and open
- Straighten and bundle together the fingers on your right hand
- Place the thickest part of your bundled fingers between each of the fingers on your left hand, feeling the stretch between the fingers
- Make sure to alternate and do the same stretches for your right hand
Finger Stretch
- These are similar to the lower-forearm stretch, except they will focus on each individual finger
- Place your left forearm on your leg, left palm down
- One by one, pull and hold each finger back, towards your body by placing your right thumb behind the knuckle of each finger, then pulling back on the finger being stretched, with the right index finger
- You should feel a strong stretch at the base of your stretch finger
- Hold each stretch for the alloted amount of time, then switch to the right hand
Make a habit of doing these before and after every playing session, gig, or concert. Maintaining this habit of stretching, as well as a good warm-up regimen, will help you to make the most out of every playing experience, and keep you free of injury.
02 | 06 | 11
Rhythm is a vital component of music. Without the structure of rhythm to build a series of notes and chords on, songs would be missing the vital building block that give them the musical character that they have. Rhythm ensures that music is not just a random collision of notes cobbled together. In order to be a performing or recording musician, or even play with other musicians, having an understanding and sense of rhythm is absolutely essential. As a guitarist, this concept is of major importance for consistent strumming, and timing chord changes.
To make the most of this principle, it’s crucial to have a metronome, which will help to train you, as a beginner, to develop a sense of rhythm and timing. Below is a list of links to online and offline options of metronomes and a small description of each.
Online
Metronome Online
- Basic and simple design
- 3 color themes: classic, cool, and fire
- Traditional Italian tempo [ speed ] names
- Includes a standard A440 [ concert pitch ] tone for tuning
- Click on button by the corresponding number to set the tempo
- Click ‘Off’ to stop
Freeware
* Windows:
Weird Metronome
- Compact and straightforward
- Allows for any weird meter
* Apple: Dashboard Widget:
Metronome
- Extremely compact and simple
- Settings for ‘Tempo’ and ‘Beat’
- ‘Start’ and ‘Stop’ buttons
Smartphones
* iPhone:
Metronome Reloaded
- Tapping ‘bpm’ brings up keypad to set tempo
- Tapping ‘i’ sets signature
- Tap / slide pendulum to start
- tap once to stop
* Android:
Mobile Metronome
- Highest rated metronome app for Android
- Rich and feature-packed
- Fine tempo tuning
- Adjustable volume
- Save / load presets
- Shuts off for incoming calls
- Automatically saves settings on exit
You should now have at least one metronome in your guitarist toolbox. Some tuners even come with a metronome built in, so you should have up to three by this point.
Start by setting the metronome to a tempo of of 60 beats per minute. This is a very slow tempo, though it’s meant to give you a basic grasp of playing in time. For a minute, play the open strings with downstrokes, paying close attention to the feeling of playing in time, noting the pattern. Next, spend two minutes playing the major chords with downstrokes. Work on getting your timings between chord changes. After this, round out your five minute familiarization by playing the same chord progression with alternate picking, for two minutes.
Make sure you are absolutely comfortable with playing along to the metronome before continuing with the rest of the exercises.
For the first exercise, set the tempo to 120 bpm. If you’re just starting, this may be a little overwhelming. Take your time and work through the bumps. Strum along for thirty seconds to get adjusted to the speed. Now, count 1, 2, 3, 4, 1, 2, 3, 4 as the metronome clicks along. After 30 seconds passes, strum only on the first and third clicks of the metronome. What’s happened is you’re now playing at half-time, or 60 beats per minute. Do this for five minutes.
Stop. Take a minute or two to rest and note what you learned before proceeding
The next five minute exercise will be similar, except in this instance, as you count 1, 2, 3, 4, play only beats two and four. It’s a little more challenging but you should be getting the hang of things!
Briefly rest a minute to assess what you’ve learned.
For the final exercise, you’re only going to play the first click out of every four. So, as you count 1, 2, 3, 4, strum only on one. This will make it very obvious if you can keep time, if you are able to strum exactly as the click strikes one.
Make things more exciting and mix in chord changes with single notes or arpeggios. It will feel weird at first though constant practice will ultimately help get things rolling. Soon, you will develop an innate sense of time.
02 | 03 | 11
Whether you’re a beginning guitarist, or have spent much of your life as a legend in your own right, it’s hard to argue with the fact that playing can sometimes, be a pain. As strong as your fingers are, and as diamond-tough your callouses can get, a maladjusted instrument can make the difference between easily realizing your vision, and growing an aversion to your own passion! Regardless of your experience, it’s best to get to know someone who is highly technically versed in the guitar itself, before you blindly tinker with it.
Nylon or Steel?
First of all, make sure you have a nylon or steel string guitar. As simple as this question can be, improperly stringing a classical guitar with steel strings can be absolutely devastating to your instrument. Nylon-strung guitars have completely different tension tolerances, which can damage it.
Setup
Having a reliable guitar-tech is phenomenal, though, unless you can pay them to make house calls or fly them out to the other side of the country while you’re on tour, you’re going to be on your own. Take advantage of your relationship and familiarize yourself with some technical fundamentals. Unless you’re a socially awkward, introvert, most times professionals are more than willing to address any questions you might have about your instrument; after all, many of these guys are guitarists themselves, and know how important it is to cherish their instruments.
Gauge
Your playing style will ultimately determine the gauge or thickness of the strings you use. For newbies who are hating life because of the torture of playing on heavier strings, lighter strings may be a great option. As awkward as it already is, trying to get used to holding the neck, fretting notes on thicker gauges makes the experience less pleasurable. Switching may just be the thing you need to give you a greater appreciation for the instrument. Just remember that switching to lighter strings means sacrificing tone!
Action
No, this has nothing to do with the latest Michael Bay movie! Action refers to the string’s height from the fretboard. Too high, and you’ll have to push the strings down that much harder to fret a note. Too low, and you’ll have fret buzz all over the place. Talk to that awesome guitar tech you made friends with, and they will help you find the optimal ‘action’ for you and your guitar.
Frets
Most guitar makers put taller frets on guitars so that you can go in and file them down to suit your needs. Having frets that are too high can cause a phenomenon called ‘scalloping,’ which causes the fretted note to go out of tune, the harder you press on that particular fret. This is undoubtedly something you want to avoid, so lowering the frets can remedy this issue. Shorter frets can also help to make your playing faster, allowing you to move from note to note with greater ease. Make sure to call your professional guitar technician to do this!
Rub It Down!
It’s best to replace your strings once a month, and / or a day before a gig. This will ensure you have the best tones from your instrument, and lessen the chance that it will break in the middle of a performance. Between changes, make the habit to clean your fretboard and strings at least once every week, if not after every session. Doing so will help maintain optimal tone, which means less work when you’re playing! Always make sure to use a separate clothe to wipe down the strings, fretboard, and guitar body.
Lube It Up!
Now, you don’t have to grease down the strings so that you’re slip-sliding your way up and down the neck, though a little dab of string lubricant like Tone’s Finger Ease, can reduce undue friction on your fingers, and make sliding smoother.
Hopefully, applying these few tactics in your guitar playing-life will make it an easier, and more enjoyable hobby! Always refer to someone in the know, or even the internet for any questions you may have, before you go tinkering cluelessly with your guitar.
01 | 29 | 11

Most modern, popular, western music has been largely based on the major and minor scales since the 1600s. Before this, most music was based on the seven traditional modes established by the Greeks. It’s of no coincidence that they are mostly based on geographical regions and ancient kingdoms in Greece. The distinct characteristic, and contributing factor for the traditionally accepted use of musical modes, was the way a certain combination of notes evoked certain emotions. This concept of scales and types of melodies, made the composition of songs simple by giving songwriters a template of archetypes and emotions to work from.
The emotional characteristics of the classic, Greek modes are not set in stone, and have been argued over for ages. Listed below are the modes, the arbitrary emotions they provoke, and a brief audio clip. You, the musician, may find that the feelings each sample stirs up, may be contrary to what’s been noted, and it’s up to you to decide how and where you want to use these modes, if you should.
- Ionian: bright, happy, warm
Ionian Mode C

- Dorian: cool, jazzy
Dorian Mode C

- Phrygian: dark, mysterious
Phrygian Mode C

- Lydian: airy, surreal
Lydian Mode C

- Mixolydian: bluesy, majestic, warm
Mixolydian Mode C

- Aeolian: mournful, solemn
Aeolian Mode C

- Locrian: evil, sinister
Locrian Mode C

01 | 26 | 11

Melody can be elusive and difficult to define to someone who is unfamiliar with basic principles of music. Listeners often think of melody as a noticeable tune, something that can be hummed or sung. People sometimes believe that the entirety of a song is the melody, which is merely a hint of its true definition. As simple or complex as it may be, melody is the very essence of a musical composition. It can be as small as two or three notes, or an entire chord progression. In any case, it’s best to think of melody as the seed from which the whole “tree” that is the song, grows.
In its simplest form, this ‘seed’ is characterized by three distinct elements. Melodies are comprised of the notes chosen; the pitch, or highness or lowness of those notes; and the particular structure, or pattern they are arranged in. Based on this information, you can literally take any combination of these elements, and cobble them together to create a melody. How you achieve this is based on your unique, personal influences, which is why it’s not surprising that there are so many wildly different musical styles in the world. In spite these differences, all music has been found to be genetically linked to the five notes, A, B, D, E, and G, that comprise the pentatonic scale. These are the same notes you find grouped as the five black keys on a piano.
Piecing a song together randomly is feasible though following a scale, or ordered note sequence, can ease the process. Scales are like ladders, with each rung representing a note, and organized by pitch. As music evolved, composers found that certain combinations of notes also evoked a certain mood, and a system of organized notes, or modes were developed to capture and express these emotions. Modes can be thought of as archetypes in stories, expressing romance, sadness, glory, or anger. Modes were used to create melodies for ages, though over time, songwriters grew tired of the repetition, and felt confined by this rigid framework.
Melodies evolved through the growing demands of composers, their unrest, and the intermingling of musical influences. A lot of contemporary popular music is heavily influenced by this growth, making for the complex arrangements present today. However elaborate the songs may be, it’s easy to recognize the melody of the song. Pop music makes this very clear, owing much of its broad success and popularity to the infectious and familiar melodies they are built on. John Lennon’s ‘Imagine,’ has one of modern music’s most clear and distinct melodies. Its simplicity and subtlety convey a powerful, and in some circles, offensive message, veiled by the delicate, mildly solemn piano.
01 | 26 | 11

Many musicians often make the novice mistake of dismissing music theory because they believe it will restrain their talent. This assumption couldn’t be any further from the truth. True, there are great talents and inspiring works out there without prior knowledge of musical principles but it’s those principles which will actually show you all the possibilities for your music, and more.
Developing as a musician, like any skill, is based on established fundamentals, which when applied and practiced regularly, becomes an inherent characteristic. It is not unlike learning to talk, which begins with incoherent mumbles and gestures as infants, expanding as you learn from your surroundings, augmented by regimented English courses in school, and further developed by your ability to read. Rather than constraining your ability to communicate to a rigorous structure of words and grammar, you actually expand your ability to elaborate your emotions, ideas, and thoughts through learning English standards. Notice that this knowledge doesn’t necessarily make us esteemed writers, just as a learned music theorist is not necessarily a compelling musician.
The ability to read music has the wonderful side effect of enhancing your ability to not only elaborate your ideas with like-minded people but also makes it clear in your mind the direction you want to go with your compositions. Rather than fumbling around in the dark, hammering out chords and notes to find a suitable sound for your songs, having an understanding of chord progressions for example, can simplify and hasten the process. Any artist knows that getting an idea on paper can be a dire matter, especially when every passing minute can rob you of inspiration.
Yet another interesting side effect of developing an understanding for music theory, is that your appreciation for music is deepened and widened. As you gain insight into the subtle nuances that go into every piece of music throughout history, the commonalities between genres comes to light, allowing you to dabble, experiment, and explore with other styles, and incorporating it into your own projects.
Learning music theory is not unlike learning a new phrase or word from a new friend, or even from a new country. Every morsel of knowledge lends to building upon your talents, and provides you with an even broader range of possibilities. This is quite the contrary to the prior misconception of formal principles restricting your creativity. What you gain in the end, is a map with which to quickly and easily navigate the nearly endless web of musical possibilities you could have only grasped at, before.
01 | 23 | 11

Songwriting is a phenomenal way of reaching catharsis, though the process itself can be just as excruciating as the weight of burden being purged. To ease the process of writing a song, realize now that there are fundamentals and methods in place to get those thoughts on ‘paper.’ I can already hear the eyes rolling at the thought of having to stifle creativity by abiding to a structure. Relax, take a deep breath, and realize that these are more so guidelines that can be bent and broken as needed. With practice, you’ll find that your artistic prowess will take over and all the fundamentals will run on autopilot. Look at it this way, you can drive a car with your feet and push the pedals with your hands but I’m pretty sure you’ll find it easier to drive down the highway in the established method.
Whether or not you’re gifted with artistic talent, you’re obviously here because you want to be a better songwriter. Talent accounts for a lot though passion will help push you through the ruts and help you find the means to make your vision a reality. Aside talent and passion, honesty is going to help make your songs truly your own. Without it, you’re just going to come off as another artsy-hack trying to fake it. It’s this openness, and willingness to bear your all to the world that will help you connect with your listeners. Sing it like you mean it, and the audience will feel your passion.
Let me begin by saying that poets and lyricists aren’t necessarily one in the same. Most beginners are going off of their adolescent, high school experiences writing poems for English class, and believe that their basic knowledge qualifies them to write songs. It’s a good foundation to build on, though you’ll probably kill yourself banging your head against a wall when you find that you’ve written an awesome line and can’t find anything to rhyme it to, later in a verse. Take a step back and realize that not only can a song chock full of rhymes sound amateur and repetitive, it is constraining, and in time, annoying.
Lyrics to a song, or the words for that matter, can bend and shift to accommodate the music that goes along with it. You’ve probably heard two impossibly un-rhyme-able words magically strung together in a song or two. This is a consideration for the lyricist. Also be aware, and it’s best to accept this now, that some lines and words just refuse to cooperate with the music, and you’ll find that a lot of your time will be spent rewriting and recomposing. Like I said earlier, that passion is going to help drive you through the challenges of brining life to your vision.
Content should rarely be an issue. Unless you’re a cold-hearted, apathetic robot, you feel emotion on a daily basis. If you step out of the house, flip on the t.v., browse the web, read, or god-willing, have an actual conversation with at least one person during the week, you will have something to write about. If it provokes even the slightest emotion that you feel an itch to write it down, write. Songs are best when it’s about what you know best, and there’s nothing you will know better than your emotions and experiences. Your first efforts may sound simple and childish at first though this is where your originality will grow from. Your unique style will develop with practice and time.
Everything up to this point has been nice and fluffy, mildly inspiring, motivational stuff that can be drawn from within yourself. Your experiences, honesty, passion, talent, and rudimentary understanding of writing lyrics will take you far. Now it’s time to kick it up a notch.
What makes a song a song is its composition. They are very simply composed of an introduction, a verse, a chorus, another verse, another chorus, and a coda ( aka: outro ). You can see it as the structure of a book or story, though it’s best to do so only briefly, since not all songs will have a definite story arc, or not have a story, at all. The song structure itself, can be adapted to your needs, though the overall structure follows the melody of the song, which is established at the beginning of the song.
Uh-oh, “melody,” you say, what is that! Relax, it’s simpler than you think. It’s the soul, the very essence of the song. You know the part of your favorite tune that you can hum, and somebody on the street can pick up on and be familiar with; that’s the melody. To make a basic melody, start by taking a line, say from the verse, and singing it, you establish a pattern and rhythm. This, in extremely simple terms, is going to be your melody. From here on in, you will be forming following lines, verses, and choruses based on this melody, and complimenting it accordingly. It is also at this point that I recommend that yet another, very helpful tool to add to your bag of tricks as a songwriter, is some music theory. Surely there are dozens, if not hundreds of hit songs out there that were written without a basic understanding of music but we’re here to make the process easier. Knowing music theory will also help you to communicate with your collaborators.
Rewarding as tapping into your heart and soul, to take advantage of your creativity to write songs can be, it’s best to know that unless you’re a gifted virtuoso , which is not a requirement, it will take dedication, practice, and time. Trust in your inherent talents, and be unafraid of your honesty so that you can express yourself wholeheartedly in your songs. Your passion will push you to tackle any of the snags that come along the way, and convey all that you mean to your audience. Every adventure and emotion you feel is a source for inspiration, worth sharing with the world, and with just a little bit of formal training, and an understanding of standard musical principle you can hone your skills and be a successful songwriter.
01 | 18 | 11
Ink and Strings will be a means to an end, a vehicle to take my feelings, ideas, and ramblings to a new level
It’s a bit of an exercise in flexing my mind muscles, and hopefully, get some creative juices flowing, as well!
